First, apologies for the radio silence—my last two weekends have been full of dancing, and thus I have been too exhausted to blog. I’ll be updating on these soon enough, but first I’ll fulfill my promise and finish chatting on my tribal fusion belt!
Even though I wanted my tribal fusion belt to be as multifunctional as possible, I still made a few permanent additions to the belt base. I decided, as I was planning the belt, that a tribal belt shouldn’t just be another dance accessory. Tribal fusion costuming is incredibly unique: every costume piece, whether it’s a bangle, a hairflower, a ring, or a belt, has a story behind it. Thus I decided that there should be some permanent pieces on my belt, never to be removed, and that the permanent pieces should serve the same purpose as a charm bracelet—it should have meaning and memories. Luckily, there were a couple spots that I wanted to cover on the belt (seams and wearing bits), so I had the perfect place to put these “charms”. The first permanent piece added to my belt was cut from an old inexpensive necklace from Hawai`i:

A turtle, or "honu"
The next was a relatively new item. This past Valentine’s Day my mum sent me a package which had a lovely card with four charms on it. She knew I’d find something to do with them, and as I was in the middle of making the belt at the time, I chose to use the “love” charm on it. This made it on for very simple reasons: I’d like a symbol of my mother’s love with me when I dance. I don’t have a photo of this, as it was added so recently.
Finally, I sewed on what once was a keychain of an elephant opposite the honu. This piece has the greatest significance for several reasons. First, when I was little I grew up on stories about elephants, as my mum was one of the children who donated a penny to the San Francisco Zoo to help them by one of their Asian elephants, appropriately named Pennie.* The keychain itself is from India and a gift from my friend from undergrad, Dia, who taught herself Hindi and amusingly forgot to give me the keychain until I came to visit after I’d graduated. By this point, I’d been taking bellydance for only a few months; however, it’s Dia who introduced me to bellydance. Sometime in my final years of undergrad we ended up in her room and, though Dia does mostly ATS/ITS, she showed me a video of Rachel Brice (not that video, but I don’t remember which…). I thought it was pretty cool and went back to my life. Little did I know a few years later… Anyway, there’s a final significance to the elephant (told you it was important). A couple weeks ago I went on a charity shop trawl with my friend Laurie, who is also performing the choreography. We ended up in an Indian important store and saw a long dangle with several small stuffed elephants on it. Half-serious, half-joking, Laurie suggested that we get it and break it up, and each of the tribal fusion dancers in the choreo put an elephant somewhere on their costume. This has yet to happen, but in case it doesn’t ever, I’ve got a back-up elephant.

Not on my belt but continuing the “charm bracelet” concept: this past week I found that my newly-ordered headpiece was missing one of its dangles! To replace this, instead of searching for a new dangle I used a charm found amonsgt some maille rings I bought off a medieval reenactor. An eagle, it’s shaped in the style of Insular manuscript illuminations.** Also, it’s always nice for an American to stick an eagle somewhere!
And that’s it. I’d still like to find a small cross to sew on somewhere, but these things take time. Anyway, if I keep treating the belt like the tribal fusion version of a charm bracelet, it will never be fully finished! Until I find something new, then, Lysse-bird out.
* Sadly, Pennie died in 1995, and in 2005 the San Francisco Zoo gave the rest of their elephants to the Performing Animal Welfare Society when the San Francisco government banned elephants in the city (no, seriously—they banned elephants). The San Francisco Zoo, however, noted that this move was an improvement for the elephants’ lives, as they have more room now than they ever could have at the zoo.
** Insular manuscripts are from the British Isles during the early medieval period. Examples include the Book of Kells and the Lindisfarne Gospels.
Tags: bellydance,projects,tribal fusion
Categories: projects, uncategorized
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