Tribal Fusion Belt: Multifunctional!
Elysse| 1 March 2010 12:47 amWarning: Image heavy post to follow, for as promised – my tribal fusion bellydance belt!
TA-DA!
Now, as to how I made it, it wouldn’t have been possible without a belt base I got from my friend Tamsin. I have a tendency to be very matchy-matchy-monochrome, while Tribal Fusion’s ethos tends to let a plethora of colours coexist—and somehow, they don’t end up clashing. Problem is, I can’t do this without it being forced upon me. Starting with the belt base from Tamsin helped greatly. The base itself is the multi-coloured band with a stretch velvet backing; it already had the little knobbly bits and the coins at the bottom.
The colours within it are some I would never have used/put together, but it also has several of my “dance colours”: specific pinks, blues, and greens.
Next on the belt came danglies! I was very methodical about these, spacing them evenly. Out of the six specific danglies on my belt, two are pendants from Tamsin (she’s my tribal costuming guru) and the other four are diamonds of steel chainmail (what, you thought something I touched would get away without maille on it?). I’m hoping the steel gets dull and/or rusts eventually, because that’ll give it an additional texture.
A “traditional” tribal fusion belt (as traditional as they get) wouldn’t be complete without yarn swag. I used a combination of thick/thin yarn that was frogged from a charity shop scarf and a dark pink wavy yarn that I’d previously used for a hat. I put two just-past-kneelength swags in the front, and then a bustly-type puff at the back. I also stuck some chain scraps in with the front swags.
Here’s the secret about my danglies and yarn, though—as a Poor Postgrad, I wanted my belt to be as multi-functional as possible. As yarn swags’ colours can dominate a costume (particularly if you choose ridiculously bright like me), I didn’t want my swags to be permanent. Thus multifunctional here means being able to switch things out. I did this by putting keyrings on the inside of the belt! However, I didn’t sew the keyrings directly to the belt – I was worried that would be too weak. Instead, I placed a piece of felt over them and sewed around the outside and inside upper half of the rings, then put a few large “holding” stitches that looped all the way around the keyrings. Then, every swag and dangly was put on a small ring and hooked onto the keyring, like so:
Instachange!
Another common item on tribal fusion belts are medallions, usually at the front and placed over the hipbones to accentuate movement. For this reason, it’s especially good for them to be big and bright. On my belt, the placement wasn’t difficult to find—the base ends and stretch velvet begins exactly where my hipbones are. I was actually spoiled for choice, as I’d received two lovely and large beaded medallions from Tamsin—but I’d also been talked into making prototype chainmail medallions by my lovely tribal fusion teacher, Laura Monteith of Sarasvati.
It took me about two and a half hours for one, plus the time sewing it onto the base (felt covered in green stretch velvet), and I really wanted to use the final pair! Thus, I took a page out of Mardi Love of The Indigo’s book and put my maille medallions over my hipbones—and then put the ones from Tamsin on the back! These were all safety-pinned in, so I can move them about and switch them up at my leisure.
Next time, permanent additions to the belt base!
Tags: bellydance,maille,tribal fusion
Categories: projects
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