The Blue Dwarf Star

Elysse| 2 April 2011 8:08 pm

Sometimes I get obsessive about finishing projects. Usually, this happens when my life is ridiculously busy — such as far too many student papers to mark, dances and haflas to attend (though no performing recently), and friends and family visiting. Combined, this means that it’s been over two months since I last posted.

My greatest apologies.

That said, I have a multitude of projects to slowly divvy out to you, so expect more blog posts now that the semester is over. If we’re lucky, I might even post once a week (GASP!).

Now, as for treats, let’s start with the Blue Dwarf Star. Originally known as the Celestial Cuddle, this pattern is called Celestine, and has been on my to-knit list for ages. Both a Christmas decoration and a soft toy, I thought it would make a good companion for the Dalek (or at least give the Dalek something to conquer!). So, knitting so much that I nearly punched holes in my fingers (again), the Star was finished at midnight at a church retreat:

 

Ooh. Looking a little grungy there, and the stitches are defined in all the wrong places. But that’s what happens when you knit with an oatmeal-coloured, previously-loved doubled-up-DK cashmere, and have been tossed around by a bunch of exhausted young professionals at midnight. Anyway, my intentions were never to leave my Star that way. I wanted to give him a colour (oatmeal-coloured stars? seriously?) and received several suggestions. There was an overwhelming cry for “red”, but I didn’t want an “aggressive” star — so I rebelled and dyed him blue:

 

MUCH better! In person, he’s more of a periwinkle/lavendar shade, with a lot more rounded points — far more comfortable!

Overall, I’m very happy with how my Blue Dwarf Star has turned out. He was a little poky to begin with, but the run in the washer with dye and a decent time on the settee getting squished has softened him up. Now, he’s soft enough to cuddle with, firm enough that you don’t oversquish him, and just the right size to tuck into the crook of the arm so you can keep knitting whilst cuddling fearfully in front of Doctor Who!

A difficult love letter to a dance form (and those who perform it)

Elysse| 30 January 2011 10:22 pm

Dear tribal bellydance,

We need to talk. Understand, my dearest, that I’ve been ill this past week, and I’ve been doing a lot of soul-searching… and looking at costuming pictures, etsy, and a rather assorted number of hafla photos from people I love and people I’ve never met (you’d be amazed what people put on the interwebs, darling). But this has been coming for a long time, and I’d like to say it’s me (not you), but it’s definitely, definitely you. You see, my darling…

You look like crap.

I’m not talking about your style, dear; no, don’t cry! I love your Sharon Kihara arms, your hip-twists, your Egyptian basics, pop-locking and Beats Antique. I’m talking about your costumes.

At first, I said, this is just a phase you’re going through. We’re a baby style, and I understand that it was only our Rachel Brices, our Sherri Wheatleys, and our Samantha Emanuels that would be able to afford beautiful, custom-made costumes. And us tribalistas, on a whole, are not the wealthiest of demographics. But now, my lovely, I am seeing some of your practitioners sink hundreds into a kuchi bracelet while their bra straps are showing. And frankly, my dear, it fills me with rage. At least in traditional styles it’s only the one-hip-drop-wonders that dress poorly. But you, my darling tribal, are being played by even professionals. PROFESSIONALS! Teachers and gigging dancers! How can it be acceptable to see women offering classes, gigs, even workshops, on stage and performing with visible tags, obvious underwires, uncovered cups, and original straps? Changing the existing bra-straps to cross (or, heaven forbid, a racerback) isn’t going to cut it — and neither is tucking in the tag! How can you stand it, my darling tribal dance?

Now that I’ve noted what makes me mad, why should your practitioners stop, my darling dance form? In short, because it makes all of us look bad. Because it hurts THE TRIBE. Tribal (both the improvised styles and fusion) are baby dance forms, unknown by the general public. Our big sisters of the orientale styles get a bad enough rap as it is! By dressing inappropriately, we’re hurting our wider set of shimmy sisters (and brothers!), and we’re making our own style look ill-informed and cheap.

Also, my darling, it’s disrespectful to the audience. It shows that some of your practitioners don’t care enough to wear a real costume. When they sink money or time into beautiful skirts, trousers, and jewelry, but don’t bother about their bra, then they just look sloppy. And when they sew some lace or jewelry to the lingerie bra (or, heavens forbid, just glue it!), that is the ultimate expression of laziness and disrespect. It’s a cover-up job, not a proper costume. It wouldn’t suit for Hallowe’en; why should it for the stage?

Now, don’t misread me, my dear, in thinking that I’m saying we shouldn’t let student-level costumes exist! At my first hafla performance (I’d been dancing for two months!), I wore an everyday tanktop, a long skirt, and my hip scarf. It was very simple, but it was respectful (my knickers weren’t showing, and neither was my bra!). One shouldn’t have to sink hundreds of dollars/pounds/euros into a costume in order to perform! However, some minor sewing skills or an investment in one good black choli would never kill a tribalista.

And I will confess, my beloved, that I too have had my plain-lingerie-bra day. Thank goodness that I am able to write that in the singular! It was a desperate moment for a gig before I had a proper bra, and oh how I wished I had a choli! I covered up the straps and band as best I could with an underbust vest (which also straightened out the bottom line), hid the join with a borrowed pendant, and performed. But I wish that day had never happened, as I realise now that even lingerie cups, be they plain or lacy, are quite perceptibly different from a proper costume, be it plain or lacy. I certainly wasn’t ready to perform, and my lack of decent costuming–and knowledge of it!–was evidence of that!

So, my dear, how do we fix this scourge? It’s in everyone’s best interest, after all, for all of THE TRIBE to look groomed, professional, and clean, to the best of our abilities (and costumed equivalent to our dance level)! Bellydance originally existed as a family-friendly art form, and should continue to do so. Therefore, I suggest that when a hafla is announced, any announcement should note that lingerie bras are unacceptable dancewear, and that those disrespecting this request at the hafla will not be allowed to dance. If they like, the organisers may even link here so that I can explain it for them! Then, at the hafla, keep a one-size-fits-most wrap top in back. If someone is wearing an uncovered lingerie bra (regardless of whatever has been sewn on as “decorations”), politely ask (in accordance to the rules publicised when the call for performers went out) that they wear said wrap top to keep the appropriate atmosphere. If they refuse, skip their set. It’s simple. It may not be pleasant, but disrespect of one’s audience rarely is.

And here’s the other part of the deal: I’m not going to watch them. Regardless of how good some of your practitioners are, my dear dance, I will not watch them if they will not respect their audience with a decent costume. If there’s a plethora of inappropriately-dressed dancers I might even ask for my money back. I don’t go to the ballet to see dancers in legwarmers; I don’t go to a hafla to see dancers in lingerie. I would encourage others to do this as well — we should make it in the best interest of the hafla organisers to make sure the performers are up to a standard!

And that, my dear tribal, is what I needed to tell you. I still love you dearly, and we’ll still be hanging out a lot. But some of my shimmy sisters need to treat you, me, and the rest of THE TRIBE with the respect we all deserve!

With all my love,

the Bird

I welcome any comments and further suggestions on how to change this unfortunate situation — I’m only one person, after all, and can only come up with so much!

Oh, and the next person to wear a Native American-inspired costume (or use the word “shaman”) will get a rant concerning racial privilege and appropriation. Even if we’re at a hafla. I’m not playing nice anymore–at least, not until so many of my shimmy-sisters stop making THE TRIBE look bad.

The Axe Cozy

Elysse| 23 January 2011 11:39 pm

So, life has been busy, what with teaching, research, knitting, and dance (I’ve added swing to the rota, and if I hadn’t come down with a cold today, salsa would be there too!). So, in a time of minimal posts, what does one do?

Why, talk about the Axe Cozy.


When I started my PhD, I was also working part-time in an armoury. No joke, folks, my job was properly styled “sword seller”. I met a variety of interesting people, watched the shop’s drama with amusement (I’m a drama-avoider), and overall got a ridiculous amount of story-fodder. What I also received, however, was an axe. This axe, properly styled a ‘francesca’ (I… actually don’t know why) was a throwing axe, the floor model, which was ‘tested’ a couple times by the coworkers…on the stock room door. Luckily, I was not around at that time (despite being the ‘newest’ staff member, I was probably the most responsible — and probably the most knowledgeable about the weaponry, as well). One day, as I was working, after the infamous axe-throwing day, a gentleman came into the shop to have a chat. A hobbyist archer, he was showing off his lovely bows and arrows to the staff. Apparently, he took a shine to me, and my manager convinced him to buy me an axe.

I would say that this is the most unusual way in which I’ve been wooed, but that would be a lie.

Regardless, the wooing didn’t work. On the positive side, I now had an axe! Alas, this axe was sharp (remember the ‘throw-at-door’ bit? yeah, it stuck a couple times), and I had no where to hang it in my flat. I was in student accommodation at the time, so I couldn’t put nails in the wall. Because it had a curved beard, for a while I hung it off the side of a low bookshelf. However, after one-too-many times of knocking it off as I wandered past, I became to fear for my toes. Thus, the ‘axe cozy’ was born.

Several layers of knitting, a bit of stuffing between double-layers on the tips, with bobbles and crochet loops to close it, I created the most unusual sheath a weapon has ever seen.

I really wish I’d made it in pink.


Welcome to (365 in) 2011

Elysse| 8 January 2011 1:09 am

Hello dear readers! So we are a week into 2011, and I’ve another INSANE creative project that I’ve started. However, this one is a bit easier to finish. You see, I always carry my (old 7.2 megapixel) camera around with me, but I very rarely take photos, much to my shame. I’m a bit rubbish at photography, but this year I’m trying to really Document My Life. This means writing in my pen-and-paper journal every day, blogging weekly, and taking one picture every day. Thus, 365 in 2011: an attempt to take a picture every day of the year without forgetting. I will, when I can, put those of interest on this journal, weekly if not daily (this is in addition to the one proper weekly blog post I’ll attempt at–though this week THIS post counts, as a longer explanation). I’m also going to be creating a tumblr for said photos sometime this weekend and link it to here; the tumblr will get ALL the “365 in 2011″ photos (along with all the random stuff that I come across on the internet–and boy howdy, is tha’ a lot of stuff!). But for now, here’s days one through seven, including Stuff From Home, Fire, Cats, and a Spindle.

P.S. Flickr stream can be found here.

Free Pattern: Tuva Scarf-to-Match

Elysse| 21 December 2010 2:29 am

First, this post would not be possible without the skills, creativity, and permission of Turvid, creator of the Slouched Tuva Hat.

I fell in love with Turvid’s pattern. It was an easy, comforting knit, and my students who arrived early (or stayed late) were entertained watching it grow in the breaks between two of my classes. When I finished the hat, I was feeling a bit bereft, and still had a skein-and-a-half of the yarn I had used for it. The original Slouched Tuva Hat was knit with Tuva (of course), but for my hat I used a lovely handspun blue wool that stuffed my stocking last Christmas. This stiffer yarn gave the hat a bit more structure, and as I knit tight anyway, my hat ended up a bit firm. However, I liked it this way (more cloche-like), and being in Scotland, the waterproof wool combined with the close warmth of the hat was very welcome!!

So, finished with the hat but with so much yarn leftover, I decided to create a scarf using the a variant of the stitch pattern used in the hat, which I present to you here! This pattern yields a one-sided scarf which is fairly structured. Knit with a slinkier yarn or larger gauge, this scarf would have magnificent drape. The pattern tends to curl up on itself, which can be corrected by blocking to your preference.

Note that, since I am quite a tight knitter, you might need to go down a needle size to get the look you want. However, this pattern is quite springy, so that might not be necessary! As always, do what works best for YOU as a knitter.

Using 6mm needles and DK yarn, CO 25 stitches (I use the long-tail method).

1.      P 1 row.

2.      *K2tog, YO (repeat from * until one stitch remains), K1.

3.      Purl all stitches

4.      Knit all stitches

5.      Purl all stitches

Repeat rows 2-5 until scarf is the desired length, then finish:

6.      *K2tog, YO (repeat from * until one stitch remains), K1.

7.      Purl all stitches

8.      Bind off

Weave in ends, then block so that sides are vertical and CO/BO edges are angles. Block lightly for a scarf that curls in on itself, or block hard for a flatter scarf. Wear while making snowmen!

And for regular readers: No, this didn’t use up all the leftover yarn! It’s currently knitted-nativity season (there might be shepherds this year!), but once that’s done, I’ll be using the leftovers to make my first pair of gloves!

Purple Thesis Eaters

Elysse| 7 December 2010 3:31 am

This is what happens when you keep putting off blogging for a few more days… suddenly, it’s a month later, and you haven’t posted a thing. Luckily, I’ve been doing things during that month, so I’ve lots to blog about over the Winter Holidays. Plus, since it’s the Holidays, I don’t have teaching (or marking!) to worry about and don’t have to feed myself. Of course, I do have to attend parties and knit profusely. So life is hard. (We’ll temporarily ignore the fact that I’m also writing my socks off for another chapter… I need to knit more socks!).

So let’s celebrate the beginning of the Holidays with an early Christmas gift!

Every postgrad student (and some diligent undegraduates, too) know that the one thing needed in the Northern Hemisphere during the academic year is fingerless gloves. My friend Sarah is currently in even worse chapter-writing throes than I am, and thus for Christmas I decided to knit Sarah my first pair of gloves (my second pair, this time with fingers, has already been cast on!). For the fingerless gloves, I used the fabulous “cupcake mitts” pattern from shantha rose, using a lightweight cashmere that I rescued from an old men’s jumper at a charity shop, washed, and dyed purple.

Now, I don’t like to write about gifts before they’re given (as the minimal blogging on that finger-puncturing nativity shows), but I’ve already given Sarah her gift. We only had a few weeks left of the semester when they were finished, and she’s taking a long Christmas on her side of the world. Having now reached the Southern Hemisphere, she will spend her Christmas in Summer as opposed to…

…well, that. That’s Great Britain on 3 December (taken by the Dundee Satellite Receiving Station), which was after a six-day snowfall that started in November, a ridiculously early time even for those of us north of the Ninth Doctor’s accent. Luckily, however, this cold snap gave Sarah a chance to use her mitts, and she kindly provided me with a picture of them “in action”. I’m still not quite sure how she got this picture!

So happy holidays everyone, and let’s get to ARTS AND ACADEMIA (so nice to knit+research again)!

Adventures in Knitting: Colourwork

Elysse| 7 November 2010 6:46 pm

There’s been a lot of bellydancing posts lately, but despite all the creative projects coming out of my ears, I don’t have any new photos to share with you. I’m notoriously bad at taking photos as it is, and I hate doing it of works-in-progress unless I’m specifically demonstrating the “process”, as I’ve been doing slowly with my leopard costume and my chess set (which will probably be finished over Christmas – I’m running out of yarn whilst testing things, and it’s an American yarn). As it is, my current projects are either barely-started, need-ends-woven-in, or hibernating. I’ve been spinning, but that’s only exciting to watch build up on the spindle; in pictures it’s static and dull. I have just finished creating my first-ever object from my own pattern (which will be posted here in the next week or two, woefully beating out my chess set), but showing off my objects isn’t going to happen this week. So let’s get cerebral and talk about learning new skills.

My mum called me this afternoon for a Sunday chat; I’d slept in and thus had little to report on the what’ve-you-been-up-to front. As we talk nearly every day, we have to live quite exciting lives to make these conversations interesting, but my today was pretty much pie, knitting, and some academic reading. I’ve cast on my first-ever pair of mittens, knit from wool Mum gave me last Christmas, but as I’ve already used most of the wool for a hat and scarf set, I’m having to be a bit creative. I’m using this pattern, which converts into gloves, and suggests stranded colorwork to make them extra-warm and extra-awesome.

Hearing about the gloves (though nothing as complicated as my Colorwork Story), my mother remarked about how good I was at this. This surprised me, as my mother and I learned to knit from my aunt at the same time, and Mum finished a project long before I did (a luscious scarf for me that’s at least eight feet long, I swear!). But, she says, she never understood purling. Neither did I—until I took a class from Ysolda Teague (who revealed that I was twisting my stitches). I didn’t learn how to purl, but I did learn how to wrap and turn, slip stitches, and all sorts of fancy stuff that, with Ysolda’s gentle guidance, took away any fear I had about knitting. It made knitting a comfort zone, and learning new techniques wasn’t scary—it’s simply a challenge, another adventure to tell my mother about during Sunday chats.

To further explain, the most colorwork I’ve ever done (EVER) is the bobbles on my dalek and the intarsia for my chessboard. But because I want my gloves to bear some resemblance to the hat and scarf, and because my yarn is running low, colorwork is a necessity. So, I’ve gone all-out: most of my knitting today hasn’t been sitting-and-knitting, but rather designing my colorwork pattern in a spreadsheet (which I just got distracted by, instead of finishing this blog post). I’ve learned a lot – firstly, that my love for spreadsheets REALLY knows no bounds (used for: planning my PhD? Check. Drafting stories? Check. To-Do lists? Check. Organising a DnD campaign? Check. Knitting? Spreadsheets own my life). Secondly, that desgining colorwork is really fun! And, finally, that I’ll probably mess this all up when I actually start knitting it.

But that’s the point. It’s about learning, and making learning an adventure.

Over Christmas, I’m teaching my mum how to purl.

My return: Leopard bellydance costume!

Elysse| 31 October 2010 6:43 pm

With fear and trepidation, I approach my blog to see when I last posted.

Ouch.

Over a month? Over a month!

To my dear readers, few though you may be, I apologise. For those who see me in the day-to-day, they know why my life has been insane. For those that do not, let me put it simply: the semester started. So, in this month of silence, I have been teaching/knitting/attending workshops/sewing/researching… but not writing on my blog. Unfortunately, when I am full-up on those things for which I write my blog, said blog suffers.

The most recent project was a bellydance outfit…for a Scottish Country Dance weekend away. You see, the SCD society I belong to always has a fancy-dress (Americans: read “costume”) dance in the middle of the weekend, and this year’s theme was mythology. As I’d been longing to make a leopard-print bellydance costume, I decided to go as Sekhmet, Egyptian feline goddess of war. Given the short time frame, it’s currently unfinished, needing the skirts to be properly hemmed/lined/replaced if I butchered them too much, and needing beads to be added overall.

As this was also only the second bedlah I’ve made, I had to make a pattern…

belt pattern and bra additions newspaper pattern

… out of newspaper, of course. I then constructed the belt base and additions to the bra out of felt. The cups were too low-cut, so I added extensions to these, and I played a bit with the back of the bra: I wanted a smooth line, so I came up with a fastening for under the arm.

bra and belt base with felt

I then covered the whole shebang with interfacing to stiffen it (no picture, unfortunately), then covered it in the leopard fabric, which though beautiful was rather fussy and liked to pull.

bra and belt base covered with leopard print

Turned out fairly well, though. I then added ruching to the bra and belt; unfortunately, I currently don’t have any pictures of the whole thing. This was the first time I’ve ruched anything, but I think it turned out well, and I have a detail of the costume-in-action at the dance (photo courtesy of Yoshimi).

Detail of bra with ruching

So will you see me dancing in this any time soon? Probably not. I want to take the skirts home over Christmas to see if, with the help of my mother, they are at all salvageable (I kind of hacked them a little too much in places). Additionally, the beading is going to take a lot of time, I’m a bit sick of working on this costume (need a break from working on it, not dancing in it, that is!) and I’ve other projects in the offing. I’m still knitting a scarf to match a hat I made, and intend to make matching gloves—and it would be useful to finish these up before winter sets in fully! With November so close, I also need to start working on Christmas presents. But finally, the delay to beading is a result of the country dance weekend. We spent the weekend in the lovely historic town of New Lanark, famous for its cotton mill, now repurposed to spin out wool. Yes, WOOL. A weekend with country dance, bellydance cossies, and wool? I was in heaven. So now, thanks to the mill’s shop, I have a wool/silk blend of roving to spin, an cream organic wool yarn to add to the blue hat/scarf/gloves if I should run short, and… ten skeins of cherry-red DK wool to make my first jumper with.

First jumper!!

Never Say Never

Elysse| 26 September 2010 12:46 pm

Remember back when I said “I know I’m not an Egyptian dancer”? When I wrote it, that was true. But I shouldn’t have been so certain, as such things can change—and they HAVE! I’ve been strugling with cultural appropriation and bellydance (particularly tribal fusion), which is a post unto itself (don’t expect it any time soon, though—my thoughts are still muddled). This led me to think that perhaps I should get a stronger grounding in Egyptian bellydance, which incorporates many Arabic folkdances, and thereby understand further some of the dance’s origins.

However, the true impetus behind this is, surprisingly enough, my tribal teacher Laura. Her Egyptian dance at the Gaslight Faeries show was a “lightbulb” moment for me. I could see in her dancing exactly how her strong start in Egyptian has influenced and helped her tribal fusion. Additionally, I was starting to notice an unnatural division in my dancing ability. When playing western music, I naturally went to tribal fusion, and was becoming more and more comfortable improvising. But when Arabic music came on, I felt lost, floundering. I knew movements that went with bits, but I couldn’t put it together. I had the vocabulary, but not the grammar—the stylistic differences that felt right with the music.

Concerns about appropriation and ability coincided with one other item: I like to be challenged. This expressed itself in two ways. First, I really wanted a teacher who would pick at my technique, tell me when I was misperforming a move, and overall basically grind better technique into me. I’ve been craving this, as I became used to it back when I used to horseback-ride. It was typical for the instructor to give you a list of everything you’d be doing wrong at once. Thus, “heels down, don’t pinch with your knees, back straight, don’t lean back so much, look where you’re going, BREATHE!, thumbs on top, tighten your reins” was repeated like a mantra; the instant one was corrected, whatever slipped in its place was called out immediately. If you were doing particularly badly and in a group lesson, the other students could expect to just keep on with it while you were given a fifteen-minute litany. You might even be stopped in order that the trainer could physically move your body into the correct position. It was hardcore, and I loved it. It’s what I’m used to.

Secondly, Egyptian bellydance places a heavy emphasis on emotional interpretation. You could have the best technique and complicated combinations in the world, but if you’re not feeling the music, you’re dancing like crap. On the other hand, you could have very simple movements, but if you’re part of the music, you’re a star. And it’s not just joy and happiness—sorrow and longing feature heavily. As an American, a natural optimist, and an overall enthusiastic person, I’m not used to the latter. Because of my personal history, it’s incredibly remote for me, very difficult for me to display such. And that’s a personal shortfall and a challenge. And I do love a challenge!

So I’ve returned to Egyptian bellydance classes, and I’m loving it. We’ve done some saidi (OMG YAY), some orientale (I can feel my “grammar” improving already), and we’ve also done some khaleegi, which (except for some hairtosses from a group drum solo choreo I did a couple years back) is completely new to me. And I am in LOVE.

Final Festival Thoughts

Elysse| 19 September 2010 7:59 pm

Well, it’s over halfway through September and I’ve yet to catch up on my Festival events! For authors this year, I saw Garth Nix, who has long been a favourite of mine (since my early teenage years–his work is beautiful and heartbreaking); Seamus Heaney, who read selections from his new book of poems; Anthony Bourdain, whose TV show my whole family watches; Alexander McCall Smith, lovely as ever; and Jasper Fforde, a favourite author of a friend and now also one of mine. His mind works the same way mine does, and it’s mildly terrifying. Also a writer who will shatter your heart into a million pieces; I loved every minute of it.

On the non-literary front, I went to see a version of Faustus out of Cambridge that had some marvelous physical theatre for the seven deadly sins. Unfortunately for me, Mephistopheles was played by a red-head (typecasting?), and Faustus looked rather like a hobbit, so I spent rather a lot of the play giggling internally about Frodo being tempted by a ginger.

The same day as Faustus I also saw Hildegard of Bingen and the Living Light, leading to that day being dubbed the “Heaven and Hell Tour”. You see, Hildegard of Bingen was a turn-of-the-twelfth-century Christian mystic, abbess, and composer. I was quite glad to catch the show, as it had been at Kalamazoo but I had missed it. Very well done, very atmospheric, and led to me having many medieval-fangeek moments during the play. For more on Hildegard, by the way, the Wikipedia page is surprisingly well-referenced! Who knew? For more on the show, there’s a lovely write-up here.

Finally, I saw Out of the Blue. I’ve been meaning to see them for years, as I know the gentleman who founded them (I played on bell choir with his mother, which saying makes me feel far older than I actually am), and I have several of their CDs. I was not disappointed, and was amazed how the floppy-haired multitude from Oxford made me reminisce so keenly of my American college days…

Coming soon: dance and knitting. In other words, back to the regular schedule.